Biennale Europea d'Arte Fabbrile di Stia

Restoration

Question: In your opinion what is the right method for a restoration work?

  • The conservative one, keeping everything in the same state in which it currently is?
  • In case one needs to build missing pieces, will it be fundamental to highlight the differences of the new work from the original one?

  • Will it be necessary to realise a workpiece similar to the original, maybe using similar materials too?

SUBJECTS OF THE THEORETICAL PART

  • Conservative restoration method in architecture.
  • Conservative restoration method for art objects.
  • Restorations in case of restrictions from the Superintendence.
  • Documentation of all of the restoration works to be included in the contract.
  • Amount of costs for the intervention.
  • Integration of the originally unbudgeted expenses with accompanying documentation.
  • Integration of expenses for possible missing historical research.
  • Cleaning by salt rinsing.
  • Rust converters.
  • Documentable reversible projects.
  • Treatments and preservation.
  • Materials used for the restoration work with accompanying certifications.

PRACTICAL OPERATION OF THE RESTORATION WORK

  • Take pictures of the parts that need restoration in their current state, capturing all their details.

  • Take pictures and provide documentary evidence of all the passages carried out during the entire process of restoration.

  • Dismantling of the damaged and eroded parts.
  • Cleaning of encrustations, paints, and salt rinsing for the remaining parts.
  • Construction of copies of the tools that need to be similar to those used originally to build the missing parts.

  • Technique for fake aging of materials, in order to put them together with the old ones
  • Rust converter and preservation treatment.

THE COURSE WILL LAST 5 DAYS.